Attention is the intention to live without reservation in the here-and-now.

You'd think I'd be more comfortable with the action, but actually I'm more comfortable with the drama. I mean you get more instant feedback on what you are seeing and you know if it's working or it's not working.

I'm definitely not afraid to be wrong.

I like the little chess match of how people move through space. I'm not comparing myself to Michelangelo with this analogy, but he said when he sculpts it's like finding the sculpture within. It feels that way when you are with actors, too. There's a natural way to do this with a natural language that flows and feels like real people talking. And you've just got to find it. So I enjoy that part of the process.

I got into comics on John Byrne's run of the X-Men and the Dark Phoenix Saga. I got in around X-Men 95, right when it turned to the new X-Men. So that whole family, all those characters are kind of my favorite characters, just the X-Men world.

I'm friends with [David] Fincher. [James] Cameron gives me advice. I know a fair amount of directors who have been through it, and they all felt pretty confident that I would be fine when I got my shot. So their confidence made me feel confident.

Prada makes really nice bags and then somebody in China makes knockoffs. This is the knockoff version of the mutant world. You have Weapon X. you have government spending millions of dollars to make it, and then you have these guys who are making thugs out of people that they pull off the street, or who are damaged, or who have found themselves in terrible positions for some reason.