Prada makes really nice bags and then somebody in China makes knockoffs. This is the knockoff version of the mutant world. You have Weapon X. you have government spending millions of dollars to make it, and then you have these guys who are making thugs out of people that they pull off the street, or who are damaged, or who have found themselves in terrible positions for some reason.

I buy my Avengers tickets. But I think people are going to really get into seeing this other side of the world.

I'm friends with [David] Fincher. [James] Cameron gives me advice. I know a fair amount of directors who have been through it, and they all felt pretty confident that I would be fine when I got my shot. So their confidence made me feel confident.

There's a little burst of creativity being director followed by lots and lots of meetings and talking to people and more meetings. It's scary. And I can't believe anybody actually lets me do it. But it's going well so far.

I got into comics on John Byrne's run of the X-Men and the Dark Phoenix Saga. I got in around X-Men 95, right when it turned to the new X-Men. So that whole family, all those characters are kind of my favorite characters, just the X-Men world.

Peter Parker has superpowers, but he still has trouble making rent every month. I identify with that in a way that I don't with, like, Superman, for instance. He's just less interesting because he's too perfect.

I don't want to make a movie for 100,000 fans that nobody else in the world sees, because I don't think that's good for the character.