I'm attracted to roles that are unpredictable, and if I can get my hands on something like that, I'm thrilled. I like performances where you don't know what's coming, moment to moment.

Kids on the set tend to be a pain, and if they're not, their parents are.

It's great if a pilot starts off great and if it doesn't start off so great it's not that big a deal: everybody's baby is born ugly. But you want to know, if given the opportunity: Where are we going? What's the story we're trying to tell?

Being an actor: that's a pretty big net. That's a big playing field. The Screen Actors' Guild is filled with many, many, many, many people and vastly different careers.

I punch a lot of guys on set. It's much easier than in real life as your hands don't hurt afterwards. The key is that you miss.

Like any good parent you are trying to get the kid in a position where he is stronger and more powerful, and able to achieve things that you couldn't.

Usually, in romantic comedies, you end up sacrificing a great deal of the complexity - you know, just two attractive people and a good soundtrack.