Honestly, I feel like I spent the last 10 years just trying to work, just get my hands on the best material I could. I'd like to say that it was quite calculated and genius, my ability to take one step forward and two steps back.

I punch a lot of guys on set. It's much easier than in real life as your hands don't hurt afterwards. The key is that you miss.

If Martin Scorsese calls, I am available. And then there the ones, well, you can just run down the list - any of those Oscar-nominated films, they have amazing directors across the board.

As far as the leading man/romantic lead, I'll tell you what, I really enjoyed my experience more than I thought or imagined I would on 'Catch and Release.' God bless them if they want to give me another shot at that. I would love to have that as something I can go to on occasion.

What am I going to wear to the Emmys? Something with a tie.

The danger with success in television is "Haven't we shot this episode before? Didn't we shoot this scene two years ago?" I think it's really hard to just take the risk from season to season and not be afraid to give the audience something completely different, and trust that they'll come with you.

I'm attracted to roles that are unpredictable, and if I can get my hands on something like that, I'm thrilled. I like performances where you don't know what's coming, moment to moment.