When I feel like I'm renowned enough, I'd love to do a heritage-type line, but that takes time.

People discover you at festivals. They come to see Coldplay or whoever, and then wander over and catch your act. Festivals make a lot of sense to me.

I'm quite a fan of British designers.

I really want to work with Adele, I think she's amazing. Lykke Li as well. I love them both. I'd also like to work with The Script. I met them in Australia and we just got on like a house on fire.

Coming from an African background, obviously the foundation of the family home is education, probably because my parents had to work a lot harder for everything that they've got in this country.

You have to do a show, an interview, you've got to go straight back on the road to another location, make a track and edit things like footage etc. It's non stop. I really respect the hustle and work rate of Chipmunk, as well as N-Dubz and Tinchy Stryder.

I don't think I've had to change anything, really, apart from being more serious and focussed on my drive. One thing I've realised is that you get out what you put in and because of that my work rate has increased ten fold.