It's a juggling act. Every time I get going on the album stuff or being musical, acting kicks in and I book a job. It comes down to a money thing.

I think the paparazzi are absolutely ridiculous. When we were filming, there was a lot of them. It's different being in L.A., where there are so many celebrities. But, when it was in Vancouver, it was all about the film, so there was paparazzi following us. It's just part of the business.

I've developed a way to separate myself from me being me, to me being the character. I can separate watching me, Tinsel Korey, from watching Emily

Whereas, if you have a longer scene, then you have momentum to build it up. I thought I sucked, but Chris Weitz is an actor, so he understands that process and that you can get nervous in it, and he can look beyond that. Or, it was just me and I was over-thinking the entire thing.

he first make-up crew had three test runs, so by the time we were shooting, they got it down to three hours. They switched make-up crews for Eclipse and they never had any test runs, and they had to figure out what the other team had done, so the first day, I was in the chair for eight hours. But, they adjusted the scar from New Moon to Eclipse. The first time, there was more pullage on my face, so I had a hard time eating. It didn't hurt, but it was uncomfortable.

I didn't want to be around anybody because it was just too much for my brain. But, as an actress, you hope you get those meaty roles that push you into the extremities of that psychology. I like doing independent films because there's more room for you to be creative, and the director allowed me to just go wherever I needed to go. It was emotional. I had to cry a lot.

A lot of people think that, as actors, we have an endless supply of money, and you don't. It comes in waves, and then you're riding a certain amount of money for awhile. When you're at that point where you're like, "Do I feed myself or do I do music?," it's a juggling act.