I think what's important for myself and anyone else who wants to create a film, or art, is [to] make sure that they have something to say, that they want to share something important, express something important.

Dressing well is a kind of good manners, if you ask me. When you're standing in a room, your effect is the same as a chair's effect, or a sculpture's. You're part of someone's view, you're part of that world, and so you should dress well. I find it's a show of respect to try to put on your best face and look as good as you can.

A few times in my life I've had moments of clarity where the silence drowns out the noise and I can feel rather than think.

When you are having fun and creating something you love, it shows in the product. So when a woman is sifting through a rack of clothes, somehow that piece of clothing that you had so much fun designing speaks to her she responds to it and buys it. I believe you can actually transfer that energy to material things as you're creating them.

I am actually extremely casual in certain environments. But one of the reasons I like living in London, I like the formality of it, as compared to the formality of America - or informality. I like putting on a suit. I like putting on a tie.

I think that right now we're in a very hard moment and off-putting. I mean, look at shoes today - women's shoes. They couldn't possibly get any higher and meaner and sharper. But then again, you go and watch most films today, they're violent and we're living in a world that is, at the moment, quite hard.

I'm a natural-born boss, I have to say. I just like to be good at things. Even as a child, I was boss of my family.