The idea of losing someone that you love could throw you into a situation where you could not see your future and you really would be living in the past.

Fashion is very quick. It's very disposable. It's immediately - it tells you exactly where we are in our culture, especially women's fashion.

I love New York. It's given me so much as a designer. When I moved here, I wanted to tap into the glamour of the city immediately. More than anywhere else, New York offers itself up - you arrive and get a rush in a flash. It's dazzling. Everywhere you look, there is decoration, from a pair of jewel-encrusted shoes in the window in Bergdorf Goodman to the Chrysler Building. And New York is incredibly democratic. Everyone is packed into this tiny space. You are confronted with all manner of people, and I love that.

I worry constantly and obsess over things, but I just don't let fear stand in the way of doing something that I really want to do.

I don't wear a lot of color. In fact, I don't actually like color on myself. I love color but it's very challenging, it's very powerful, it can overpower you. I think if my eyes were closed and someone put a red jacket on me, I would be able to feel that it was red. I don't feel great in color.

I don't work for money any longer. I'm fortunate enough not to need to work for money, but I work for pride; I work because I love to work, and so the idea that one could lose control of one's own name and that things could be produced with your name on that you were not proud of scared me.

If my parents had discouraged me, I would have turned out very differently. They raised me in an open-minded, liberal environment.