We are all God's animated cartoons.

I love my family and I love my kids, but when the moments come, it's not as though you can just substitute your own life with what you're doing on film. You have to go to some other place where it's bigger than your own life.

Some people go to bed at night thinking, 'That was a good day.' I am one of those who worries and asks, 'How did I screw up today?'

I am a lay historian by nature. I seek out an empirical reflection of what truth is. I sort of want dates and motivations and I want the whole story. But I've always felt, unconsciously, that all human history is that connection from person to person to person, event to event to event, and from idea to idea.

The same way that I know that I'll never do a movie as good or as celebrated as 'Forrest Gump,' I know that I'll never do a movie as bad as 'Bonfire of the Vanities.'

If you look at romantic comedies as pieces of commerce, the audience is looking for wish fulfillment.

That's what's nice about directing a film and having it done: There's nothing more I can do about it. It's done. That's it. All I can do is let it go and hope that people are kind to it.