When I was writing 'The Abstinence Teacher,' I really tried to immerse myself in contemporary American evangelical culture.

Every minute we were together, I felt like I was wandering in the dark through a strange house, groping for a light switch. And then, whenever I found one and turned it on, the bulb was dead.

I was an English major in college, I went to a creative-writing program, and all my life, I really read and thought about fiction as a craft and an art form. I feel like I know a lot about it, and can trust my instincts.

I have actual dreams of Bruce Springsteen calling me up on stage to wear a bandanna and play rhythm guitar next to Little Steven.

Safe from the Neighbors is a novel of unusual richness and depth, one that's as wise about the small shocks within a marriage as it is about the troubled history of Mississippi. Steve Yarbrough is a formidably talented novelist, shuttling between the past and present with a grace that feels effortless.

They both seemed to understand that describing it was beyond their powers, the gratitude that spreads through your body when a burden gets lifted, and the sense of homecoming that follows, when you suddenly remember what it feels like to be yourself.

I'm used to adapting my novels for feature film - it can be challenging to cut and compress three or four hundred pages into two hours of dramatic action.