Oliver [Goldstick] is a very dynamic and imaginative writer, so the stage directions were visceral and very clearly written.

My fishing hole is deader than...a dead thing that's dead.

The minute you're offered another option, you're like, "You mean, I can watch this every week, if I want to, or twice this week, if I need to, and not next week, if I don't have time?" I didn't even realize it was something we wanted or needed, which is where all great innovations come from.

The other great innovation are things like Transparent or One Mississippi on Amazon, Master of None on Netflix, and those half-hours. It's a lot easier to watch a load of those because it's far more palatable to go, "You know, I'm just going to do one more of these."

Oliver [Goldstick] is a very dynamic and imaginative writer, so the stage directions were visceral and very clearly written.

It was very much that feeling of having worked so hard on Da Vinci's for three years without seeing sunlight that, unless the right thing came along, I didn't want to do it.

I'd like to say that I'm a binge-watcher, but I don't really have time. I think the most I've done in a sit-down is three episodes, maybe. It depends.