Oliver [Goldstick] is a very dynamic and imaginative writer, so the stage directions were visceral and very clearly written.

Relentless Forward Motion!

The other great innovation are things like Transparent or One Mississippi on Amazon, Master of None on Netflix, and those half-hours. It's a lot easier to watch a load of those because it's far more palatable to go, "You know, I'm just going to do one more of these."

It's an art installation to put out a collection, with the people behind the scenes who are inventing and creating these designs and making sure they're realized on the catwalk, and just how much hangs on it for the designers. Their livelihoods hang in the balance, as far as whether this year's collection works for them or not, and there are so many people's jobs on the line, as a result of that. I just had no idea.

Like for Einstein, and for people who create nuclear weapons, the problem with the pursuit of knowledge and the pursuit of the greater good is that it invariably leads to things you weren't expecting.

I didn't know about the fashion world, or at least I took it for slightly superficial. I didn't realize the extent of it.

I'd like to say that I'm a binge-watcher, but I don't really have time. I think the most I've done in a sit-down is three episodes, maybe. It depends.