Oliver [Goldstick] is a very dynamic and imaginative writer, so the stage directions were visceral and very clearly written.

I went to London Fashion Week for the first time, after I got the job [on The Collection ], and it completely changed the way I perceived it. I thought, "This is a far bigger operation than I ever expected, and it has far more worth than I ever gave it before." It definitely changed my view of the fashion world.

I just think streaming feels like it's the future. It allows people to watch things in a way that fits into their lives.

Like for Einstein, and for people who create nuclear weapons, the problem with the pursuit of knowledge and the pursuit of the greater good is that it invariably leads to things you weren't expecting.

It's an art installation to put out a collection, with the people behind the scenes who are inventing and creating these designs and making sure they're realized on the catwalk, and just how much hangs on it for the designers. Their livelihoods hang in the balance, as far as whether this year's collection works for them or not, and there are so many people's jobs on the line, as a result of that. I just had no idea.

Prior to [streaming], the idea of sitting down and watching a show every week seemed like a great idea.

I didn't know about the fashion world, or at least I took it for slightly superficial. I didn't realize the extent of it.