In technological development, in production of material goods and creature comforts, we've challenged the very gods, but psychologically, emotionally, we're scarcely more than chimpanzees with bulldozers, baboons with big bombs.

To the extent that this world surrenders its richness and diversity, it surrenders its poetry; to the extent that it relinquishes its capacity to surprise, it relinquishes its music; to the extent that it loses its ability to tolerate ridiculous and even dangerous exceptions, it loses its grace.

Life's an offensive proposition from beginning to end. Maybe those who can't tolerate offense ought to just go ahead and end it all, and maybe those who demand financial compensation for offense ought to have it ended for them.

The female characters in my books tend to be independent, frisky, spunky, witty, emotionally strong, erotically daring, spiritually oriented and intellectually generous; in short, the kind of women I admire in real life.

I don't have a very high opinion, actually, of the world of criticism - or the practice of criticism. I think I admire art criticism, criticism of painting and sculpture, far more than I do that of say films and books, literary or film criticism. But I don't much like the practice. I think there are an awful lot of bad people in it.

I don't want to give the impression that I hold daily conversations with my household appliances, although my toaster is as old as Drew Barrymore and almost as talented.

We're our own dragons as well as our own heroes, and we have to rescue ourselves from ourselves.