The once inviolate frame within which programs or commercials were displayed on television - always separately - has been violated to a pulp. Program content is seen increasingly as a mere backdrop on which ads are posted like billboards on a fence.

The once inviolate frame within which programs or commercials were displayed on television - always separately - has been violated to a pulp. Program content is seen increasingly as a mere backdrop on which ads are posted like billboards on a fence.

Gimmicks come and go; the cop show seems one genre that will never leave - not as long as people like to sit at home in the suburbs and see what awful things go on in the cities.

Obviously neither 'American Idol' nor 'Dancing With the Stars' is a variety show in the classic sense, but the way they incorporate elements of drama, comedy and suspense is moderately ingenious.

In the realm of pop celebrity, the bar has been lowered so far that there is no bar. People can be famous for being famous, famous for being infamous, famous for having once been famous and, thanks largely to the Internet, famous for not being famous at all.

In the 500-channel universe, which may, of course, contain many more channels than 500, the fun never stops - fun at such a fever pitch as to sometimes seem threatening, numbing, even agonizing.

You don't hear TV cops griping because they have to enforce some Draconian law that shouldn't be on the books in the first place, or lamenting vindictive excesses in sentencing. Hollywood, supposedly a frothing cauldron of liberalism, has always been conservative on crime.