To be able to work with someone who you learn so much from is a really valuable experience.

I don’t want to be an editor! I don’t want to direct; I’d be a horrible director. I don’t want to write - I have a “story by” credit on one film I did. And I don’t want to edit at all.

I would be a terrible director, I could never write anything. One of my great strengths is that I know all of my weaknesses.

My dad was a businessman, and he would say, 'Work for free at the best company. Don't get paid a lot of money to work with the worst people.' And that's exactly how I see my career.

Sometimes I get mad when I think that I only have maybe 40 or 50 more springs in New York. When I miss one, 'cause I'm on location for a film, I wanna go, 'That's it, that just cost me one of my 50!'

My folks still live in my childhood home, and so when I'm home with them, I usually feel the best.

I do like any kind of project that has both comedy and drama in it because in life you don't have one day where everything is funny then the next day everything is dramatic.