You get to know a character that you play on-stage in a pretty profound way over a length of time. I don't want to sound highfalutin and say you become the character, you just start bringing more and more of yourself to the part until the character and actor, it's hard to tell them apart. It's some weird amalgam. In film, because of the period of time, I don't know that you ever get that deep into it.

I don't think I'd give advice. That never pays off. That's always a bad idea. If they follow your advice and it doesn't work out, or if they don't follow your advice, somehow you're on the hook for it.

Listen to me: die after me, all right? I don't care what else you do, where you go, how you screw up your life, just... survive. Outlive me, please.

Well, one of the things we're supposed to be able to do as playwrights is write from a place of empathy, get into another character's shoes and experience things both mundane and tragic. And people don't - like me right now - people aren't necessarily the most eloquent when trying to express their emotions. I guess I feel as a playwright that those people deserve a voice, too, a voice that isn't so articulate that they themselves can no longer identify with it.

Thank God we can't tell the future. We'd never get out of bed.

Divorce is an embarrassing public admission of defeat.

I said to my wife just the other day, I was actually taking some time to consider all the blessings in my life and that things are really good. I said, you would have to be a real churl to complain about the life I'm living right now. Everything's going great. I'm having a good time.