Even getting one amazing shot in a pristine environment is what I live for.

We were looking at weather and our relationships with weather. It goes to a few other places, and I don't want to spoil anything, so I won't go into it, but it's about a willingness to expose oneself a little bit more and share something openly and honestly. It's more than just landing tricks. Moving forward, this is just another stepping stone.

I'm passionate about capturing amazing snowboarding action. I get so much out of the artistic endeavor of even getting one amazing shot in a pristine environment, using specialist cameras to showcase how fun and dynamic snowboarding is. That's what I live for.

It was just on a whole other level, getting to experience and ride that terrain. We spent a fair amount of time in the Hakuba Valley.

It would be really nice to have a venue stop in Japan someday. Japan would be perfect for it.

I love to snowboard with no cameras: 100 percent.

Apart from those other riders there is a whole production team [ of The Fourth Phase] behind the cameras too, hauling hundreds of kilos of fragile and awkward filming equipment up those same frozen landscapes. They're the real heroes.