We needed to do "Community Project" to feel comfortable doing our own thing, and then "That's It That's All" was this experiment with camera technology and shooting snowboarding a little differently. "Art of Flight" was that dream of "That's it That's All" realized. Then we didn't want to make an "Art of Flight 2," so we stepped back and tried to take a different approach to create a more multi-faceted film. "The Fourth Phase" has more of a storyline, and it was much more personal for me.

I'm really interested in revamping the Supernatural contest, so I'm going to put a lot of effort and energy into that going forward.

I'm very much looking forward to doing nothing fixed, just riding for fun.

Sometimes storms come through with wind and blow the features off or sometimes they come in heavy and grow the features to the point where we have to shovel them off again. Leading up to the window for our event we try to get everything lined up and safe for the riders.

I've been to Japan so many times, but I still constantly stumble across things that are so foreign to me.

I find I enjoy myself most on those days when it's just me and a couple close friends away from it all. True human interaction in a day when we are all spread so thin.

I knew I wanted to shoot in Japan early on. Years ago, we did a Japan segment in "The Community Project," and at the time I felt it was one of the better Japan segments ever captured.