Because I'm in a modern studio, there are so many possibilities - you can do so much. So it's sometimes a little bit confusing for me to actually see which way should I choose.

If I was writing a song one night, I would leave the studio and come back the next day, and if I could remember the same melody on the same song, it was definitely something worth working more on. If I couldn't remember it, maybe there was a purpose about that.

Sometimes, I actually end up doing three or four different versions of one song, and sometimes, those versions can be done very differently. They can be very laid back, downtempo, or sometimes the same song can be quite uptempo. But it is always the same melody and chord progressions.

I'm very much thinking in music most of the time, but I really would love to start filming because when I was a teenager, that was my big hobby and it was always fun for me to explore that world.

Even if I have a quite strong melody, there are so many possibilities and so many directions that you can take the music.

Banging techno grooves from the one and only Ben Sims. Around the time of this was written he had that tribal/funky techno sound that rocked the dancefloor. He was a favorite then and still is now.

It's not always possible to play a song exactly as it is on the album. That's also something that I really don't want to do because I like to have versions that also adapt to the band, so that is always a big challenge to see how we can transform those songs so it feels natural.