I think of music as fuel, its spectrum of energy governed by tempi, volume, and heart.
Living had little use for me other than how it could be funneled into dance.
My greatest fear in working is always the end. Lately I have taken to tricking myself into finishing by leaving a hole in the middle somewhere, then stitching the two pieces together - the Union Pacific approach.
I do everything I know how in a dance.
Every dance I make is a dive into this well of ancient memory.
When it all comes together, a creative life has the nourishing power we normally associate with food, love and faith.