Well, that's the great thing about indie film, in general. If it's not subject to the constraints of too much pressure from the studio or marketing, and all of that, you get to actually present fuller characters and you get to have the dark side of the characters. That's usually what gets cut out.

And I watch Saturday Night Live religiously, I have since I was a little boy. I watch it basically like one of my favorite sports teams.

I'm not saying this just to be self-deprecating, but I have always taken delight in playing people who are oblivious, because I do think I have giant, giant blind spots. It's a very comfortable place to be.

If you're trying to make something funny, and it doesn't feel like you're always getting something, it doesn't have quite a lot of joy.

I didn't know that there was such a thing as butter carving. But then, I poked around a little bit. A quick Google search will show you 55,000 images of butter carvings, and they're extraordinary.

The truth is I've just never had any kind of plan at all for my career, which is probably not a very flattering thing to admit. I don't know that I'd ever planned to be in this situation. I'm still just an idiot, really really stupid. It's not like I'm now a genius because this has happened. I just got hugely lucky.

A lot of modern comedies are difficult to watch too, because they're so ironic and so detached and so quote-unquote clever. They kind of keep you at arm's length. They can be really funny, but they're not really nourishing.