Ursula K. Le Guin Quotes

Everything gives way before the recurring torment and festivity of passion.

Meeting writers is always so disappointing. I got over wanting to meet live writers quite a long time ago. There is this terrific book that has changed your life, and then you meet the author, and he has shifty eyes and funny shoes and he won't talk about anything except the injustice of the United States income tax structure toward people with fluctuating income, or how to breed Black Angus cows, or something.

Great self-destruction follows upon unfounded fear.

You fear them because you fear death, and rightly: for death is terrible and must be feared,' the mage said...'And life is also a terrible thing,' Ged said, 'and must be feared and praised.

In the airport, luggage-laden people rush hither and yon through endless corridors, like souls to each of whom the devil has furnished a different, inaccurate map of the escape route from hell.

I think hard times are coming when we will be wanting the voices of writers who can see alternatives to how we live now and can see through our fear-stricken society and its obsessive technologies to other ways of being, and even imagine some real grounds for hope. We will need writers who can remember freedom. Poets, visionaries-the realists of a larger reality.

In many college English courses the words “myth” and “symbol” are given a tremendous charge of significance. You just ain’t no good unless you can see a symbol hiding, like a scared gerbil, under every page. And in many creative writing course the little beasts multiply, the place swarms with them. What does this Mean? What does that Symbolize? What is the Underlying Mythos? Kids come lurching out of such courses with a brain full of gerbils. And they sit down and write a lot of empty pomposity, under the impression that that’s how Melville did it.

I've got some gift for languages. You follow your gift. But Latin's not easy.

Do you see, Arren, how an act is not, as young men think, like a rock that one picks up and throws, and it hits or misses, and that's the end of it. When that rock is lifted, the earth is lighter; the hand that bears it is heavier. When it is thrown, the circuits of the stars respond, and where it strikes or falls the universe is changed.

Capitalism’s grow-or-die imperative stands radically at odds with ecology’s imperative of interdependence and limit. The two imperatives can no longer coexist with each other; nor can any society founded on the myth that they can be reconciled hope to survive. Either we will establish an ecological society or society will go under for everyone, irrespective of his or her status.

Much arrogance is necessary equipment for an artist, I think. Not sufficient, but necessary. It carries one across the gaps.

We read books to find out who we are. What other people, real or imaginary, do and think and feel... is an essential guide to our understanding of what we ourselves are and may become.

If one believes that words are acts, as I do, then one must hold writers responsible for what their words do.

Little mirrors were attached to the front of their cars, at which they glanced to see where they had been; then they stared ahead again. I had thought that only beetles had this delusion of Progress.

Grieving, like being blind, is a strange business; you have to learn how to do it. We seek company in mourning, but after the early bursts of tears, after the praises have been spoken, and the good days remembered, and the lament cried, and the grave closed, there is no company in grief. It is a burden borne alone.

A man wants his virility regarded. A woman wants her femininity appreciated, however indirect and subtle the indications of regard and appreciation. [Here] one is respected and judged only as a human being. It is an appalling experience.

We live in capitalism. Its power seems inescapable. So did the divine right of kings.

The artist deals with what cannot be said in words.

When you light a candle, you also cast a shadow.

I know that nobody who hasn't been in battle or under attack can know what war is. But even in terms of being safe at home, it's also true that many Americans who think they know what being at war is, don't. Including, of course, George W. Bush and his people. They don't have a clue.

We read books to find out who we are.

There's a point, around the age of twenty, when you have to choose whether to be like everybody else the rest of your life, or to make a virtue of your peculiarities.

A panda walks into a tea room and ordered a salad and ate it. Then it pulled out a pistol, shot the man in the next table dead, and walked out. Everyone rushed after it, shouting "Stop! Stop! Why did you do that?" "Becuase I am a panda," said the panda. "That's what pandas do. If you don't believe me, look in the dictionary." So they looked in the dictionary and sure enough they found Panda: Racoon-like animal of Asia. Eats shoots and leaves.

To break a promise is to deny the reality of the past. Therefore it is to deny the hope of a real future.

... the habit of literature [is] the best defense against believing the half-truths of ideologues and the lies of demagogues.

One of the things [fiction] does is lead you to recognize what you did not know before.

Sometimes I not only stand there and take it, I even smile at them and say I'm sorry. When I feel that smile coming onto my face, I wish I could take my face off and stamp on it.

Alone, no one wins freedom.

Public speaking is done in the public tongue, the national or tribal language; and the language of our tribe is the men's language. Of course women learn it. We're not dumb. If you can tell Margaret Thatcher from Ronald Reagan, or Indira Gandhi from General Somoza, by anything they say, tell me how. This is a man's world, so it talks a man's language.

Love's just one of the ways through, and it can go wrong, and miss. Pain never misses. But therefore we don't have much choice about enduring it! We will, whether we want to or not.

Change is freedom, change is life. It's always easier not to think for oneself. Find a nice safe hierarchy and settle in. Don't make changes, don't risk disapproval, don't upset your syndics. It's always easiest to let yourself be governed. There's a point, around age twenty, when you have to choose whether to be like everybody else the rest of your life, or to make a virtue of your peculiarities. Those who build walls are their own prisoners. I'm going to go fulfil my proper function in the social organism. I'm going to go unbuild walls.

Would you really like to live in a society where you have no responsibility and no freedom, no choice, only the false option of obedience to the law, or disobedience followed by punishment? Would you really want to go live in a prison?

All knowledge is local, all truth is partial. No truth can make another truth untrue. All knowledge is part of the whole knowledge. Once you have seen the larger pattern, you cannot go back to seeing the part as the whole.

I know people, I know towns, farms, hills and rivers and rocks, I know how the sun at sunset in autumn falls on the side of a certain plowland in the hills; but what is the sense of giving a boundary to all that, of giving a name and ceasing to love where the name ceases to apply?

This is. And thou art. There is no safety. There is no end. The word must be heard in silence. There must be darkness to see the stars. The dance is always danced above the hollow place, above the terrible abyss.

In the tale, in the telling, we are all one blood.

What you love, you will love. What you undertake you will complete. You are a fulfiller of hope; you are to be relied on. But seventeen years give little armor against despair...Consider, Arren. To refuse death is to refuse life.

In war everybody is a prisoner.

Science fiction is not prescriptive; it is descriptive.

We have been civilized for a thousand millennia. We have histories of hundreds of those millennia. We have tried everything. Anarchism, in all its forms, with the rest. But I have not tried it. They say there is nothing new under any sun. But if each life is not new, each single life, then why are we born?

My world, my Earth is a ruin. A planet spoiled by the human species. We multiplied and fought and gobbled until there was nothing left, and then we died. We controlled neither appetite nor violence; we did not adapt. We destroyed ourselves. But we destroyed the world first.

A scientist can pretend that his work isn't himself, it's merely the impersonal truth. An artist can't hide behind the truth. He can't hide anywhere.

Part of the particular interest and beauty of science fiction and fantasy: writer and reader collaborate in world-making.

To be oneself is a rare thing, and a great one.

Translation is entirely mysterious. Increasingly I have felt that the art of writing is itself translating, or more like translating than it is like anything else. What is the other text, the original? I have no answer. I suppose it is the source, the deep sea where ideas swim, and one catches them in nets of words and swings them shining into the boat... where in this metaphor they die and get canned and eaten in sandwiches.

The important thing is not the finding, it is the seeking, it is the devotion with which one spins the wheel of prayer and scripture, discovering the truth little by little.

And I needed a rock. Something to hold onto, to stand on. Something solid. Because everything was going soft, turning into mush, into marsh, into fog. Fog closing in on all sides. I didn't know where I was at all.

What she needs, at least one thing she needs, is companionship. After all why should she eat? Who needs her to be alive? What we call psychosis is sometimes simply realism. But human beings can't live on realism alone.