A movie like House of the Dead with around $7 million budget or Alone in the Dark with around $16 million budget are much easier to make profit than the typical $50 million major motion picture.

Slater's a big star and he's been in the business a long time. He's always in a good mood and easygoing but he takes his character very seriously.

Any asshole can make a good movie for $100 million. I think it's way harder to make a movie with no money, and to start with no contacts and work your way up to international productions.

You don't need any courage today in Germany to make a movie about the Nazi time. You get all the subsidies, you get the TV stations, you get the good reviews. But you need courage to kick in the balls all the people that are still hiding under the blanket, and to say, "Oh, Adolf Hitler was maybe not so bad." And with my little Nazi jokes in Postal, I offended the Germans in a harsh time.

I boxed 15 years in a club.

I think it's better to be too early and disturb a few people - but have other people say it was necessary - than to do it way after the fact. We shouldn't forget that Charlie Chaplin did a movie about Hitler while Hitler was alive, and Peter Sellers in Stanley Kubrick's masterpiece Dr. Strangelove was during the McCarthy time, where everybody was a communist and McCarthy was flipping completely out. I think it's important to have a movie like Postal now, where we are on the peak of the Iraq War, on the peak of terrorist attacks, where everything is actually happening.

Interview with a Vampire was lots of sex, so I'm not sure.