Interview with a Vampire was lots of sex, so I'm not sure.

You don't need any courage today in Germany to make a movie about the Nazi time. You get all the subsidies, you get the TV stations, you get the good reviews. But you need courage to kick in the balls all the people that are still hiding under the blanket, and to say, "Oh, Adolf Hitler was maybe not so bad." And with my little Nazi jokes in Postal, I offended the Germans in a harsh time.

I produce for a low price and I sell it on my own to 80 countries.

The main point is that I think if we want the Earth to survive and everybody to have a positive future, we have to stop thinking in terms of religions and races. We have to face that we are all on the planet Earth together, and we have to figure out how we all survive. It makes no sense if we are all driving hybrid cars, but China pumps massive amounts of CO2 in the air. If we don't start working together and find solutions - if every country thinks only in terms of, "First we, then the other nations" - then we will fail.

Even if people hate my other movies, and hate me, or whatever, I think from this point of view, Postal is the most important movie after September 11. It's not respecting any edge, any border, any nation, any religion - it's an all-type offender. I think that only if everybody gets a little pissed about something then you will start thinking about your situation.

The Postal is a ruthless, Mad TV-type thing. We sent out a DVD to the South Park producers, and they liked the movie so much that we can say now, "It's like South Park with real actors" on the trailers and posters.

Any asshole can make a good movie for $100 million. I think it's way harder to make a movie with no money, and to start with no contacts and work your way up to international productions.