Maybe you know it but it's not so easy to finance movies in total. And the reason I am able to do these kind of movies is I have a tax shelter fund in Germany, and if you invest in a movie in Germany you get basically fifty percent back from the government.

I think a lot of people don't take you seriously if they hear it's a video-game-based movie, and a lot of press people don't write about you. With BloodRayne, a lot of serious newspaper people didn't actually even see the movie. They went online to see other reviews, and then wrote their own. I think comic-book-based movies have a better image. We see it with 300, Sin City, Spider-Man - they are A-list features, and video-game movies are B-list.

I always try to get games of different genres. This is the reason Postal is a comedy, and Far Cry is a real, pure action movie - like Die Hard on an island - and In The Name Of The King: A Dungeon Siege Tale was my opportunity to do my epic, Braveheart, Lord Of The Rings, Gladiator movie. I try not to repeat myself in genres too much.

Agents are still asking for millions of dollars for actors that don't sell one ticket.

In The Name of the King is the right title. To be honest, I don't know who had the final idea for the title but I liked it and it has a strong connection to the movie's story.

We thought about it, what we want to tell, and I didn't want to move it directly into the Nazi times. I thought it's much more interesting to see how BloodRayne became BloodRayne.

In Germany, people are saying, "George W. Bush is an asshole. Osama Bin Laden is an asshole." But then I make jokes about Auschwitz, and how the Germans are lederhosen-wearing sausage freaks - and they hate me for this! And I'm like, "You all are sitting there because you want to relax and have a nice evening, and now you're pissed because I put also a mirror in front of you."