It was a very, very intense and long casting process [for The Killing] because we really had to find the right people who could carry the weight of this story, who had the chops and who had the spirit, where they could bring in so much of their own selves to these characters. So, the casting process took many months.
Veena SudIt's the open ocean right now because it's so unique. It's a really unique way of doing American television. There are a million possibilities. We can stay with the cops. We can introduce new worlds. And, who knows where it will end.
Veena SudBefore I write anything, before I create any assumption in my mind about what it's like to be in that world, I go out there first. I'm very drawn to darkness and light, very drawn to cop drama, because there are very few places besides war and murder and a homicide investigation where you see the extremes of human nature - the darkest crevices and cracks in what people do to one another.
Veena SudI think it is the hardest thing in the world. I'm endlessly intrigued by what human nature is capable of, both the horrible things we are capable of and also the heroic things. I'm really interested in exploring that side of human nature.
Veena SudSeattle is beautiful. You look at the sky and it's one of the most beautiful skies in the world, and then there's the Puget Sound, which will kill you, if you fall into it, but it's also beautiful. Seattle is a city of contradictions. It's the most liberal and most literate city in America, and it has Starbucks and [Bill] Gates, but it's also where the Green River killer hunted women and where the runaway population is just shocking when you walk the streets. Within the same city, there's darkness and light.
Veena Sud