All of the films I'm doing are young, urban, high-concept, funny films. That's the zone where I'd like to play and have fun in.

I have a rule - 'funny is funny!' When I write comedy, it's not my aim to upset people. I will be offensive, edgy and immature, but I will also be very intelligent and relevant. At my shows, there are no holy cows.

I've been reading a lot of books on history, and watching a lot of educational TV. Wikipedia too, even though it is not reliable.

Class I to XII wasn't much help; I was always a mediocre student. But when I pursued higher education and studied economics with theatre or psychology with science fiction, I got a whole new world view.

Women do come up to me after a show, but it's usually to say, 'Yhank you for making us laugh,' and all that.

You realise the responsibility of carrying a film on your shoulders when people are investing money in you and they recognise the hard work you have to put in.

I did theatre in the U.S. because there, content-wise, it's very light. In India, theatre tends to get preachy.