It's language as a kind of structural system. A diagram of a sentence, now that seems like a kind of architectural model. I don't know how to explain it, but it would be nice to try. Why, why this fascination?

Public space can be a lot better with some private space to contradict it and vice versa. It keeps the system alive. If the system is just one thing, then it's closed and it eventually dies.

I didn't want to admit that I was a performer. A performer meant spotlights - a performer had connotations of theater. I would have preferred agent to performer.

I was always fascinated by diagramming a sentence. Because that is going into a space, going into a world of language.

I like intersections. They're the nature of New York, and there's always the possibility that when you're at one you can meet someone new. Have I ever met anyone new at an intersection? No, but I like the idea of it. I like cities because if you're stopping on the corner to wait for a light to change, there's the possibility that you and somebody else can talk. And if you and that somebody else start to talk, then you can start to argue, and if you start to argue, you might start a revolution.

It's not the bullet that kills you, it's the hole.

In a time when everybody is talking about finding oneself, how do you find yourself? I wanted to do it as literally as possible. How do I prove that I'm concentrating on myself? I prove it by doing something physical. I can bite myself. I can burn the hair off my chest. The goal? Yes, I have a body. I have this thing that people call the self. Maybe I can change the self.