Writing, in its physical, graphic form, is an inseparable suturing of the visual and the verbal, the “imagetext” incarnate

Distinction between species and specimen is very much like the distinction between images and actual pictures, or, you know, objects that have a definite material identity. The classifications, the categories, the stereotypes, and the images are on one side, and the material pictures, statues, texts, and so forth are on the other.

I think its a fundamental feature of images that they move from one medium to another. And this has become hyper-evident in our time with the computer, which is a kind of master-medium also and allows us to transfer data of all kinds from one platform to another, turning sounds into sights or language into image. The computer has made something that is very old evident in a new way.

I think it's very important to distinguish between objectivity - which tends to be open, flexible, skeptical of its own certainty and open to new information - and objectivism - which thinks, "No, we know it all, we've got it, so real thinking and learning can come to an end."

I know stereotypes have a bad reputation, people say, "Oh, you shouldn't stereotype people," but I think it's important to recognize that we couldn't function in the world without stereotypes.

I see stereotypes as fundamental and inescapable and not as something that is... The kind of common view is "Oh, we shouldn't think in stereotypes," and I think the reality is we can't help but think in stereotypes.

Writing, in its physical, graphic form, is an inseparable suturing of the visual and the verbal, the “imagetext” incarnate