I'm not proud to be me, I'm not excited to be me, but I find that I am me, and like most other individuals, I send out little signals; I tell everyone else how everything looks from where I am.

I love going to plays. There's a subconscious side to it, obviously-some people like to be spanked for XYZ psychological reasons, and I like to go to plays, and I can't entirely explain why.

My father was a jazz listener, and I think, at least before I was 5, I was not so into that. Although there were records that emphasized percussion that I liked, like Baby Dodds.

If my relation to each and every peasant in Cambodia is indeed exactly what the principles of morality would demand it to be, it's a miraculous coincidence, because it takes a lot of effort to behave correctly in regard to my friends, and from one end of the year to another I never give those peasants a single thought.

For some reason, people find me funny. It's quite hard to define why a thought is funny. It's even harder to define why a person would be funny. It's a word that I can't define at all. But whether I know quite what it is or not, I seem to be it.

I started writing plays in around 1967, and at a certain point, I thought, 'I'm writing plays, I should learn about acting and what it is.' So I went to the HB Studio in New York, and I was there for about nine months.

'The Princess Bride' is by far the most popular film I've ever done. I don't think I'll ever top it.