Conversations about films are always funny. I would say a majority of people want to talk about what were the more obvious successes; the big box office films. Other people wanting to be more sensitive to you want to talk about the ones that maybe didn't make a lot of money, but they think you might have a special feeling about. And then other people sometimes want to help you by suggesting that you should have done this or that in the movie, that that would have helped you a great deal in whatever capacity.

There's a tricky tone where you try to get some humor into a movie that's also a tough tale of murder and revenge. You have to ice skate rather carefully between the humor and the action tension part of the drama.

I always loved comic books and I'm still a great fan of the graphic novel.

I mean no film is beyond criticism, but I think we've made a very modest movie.

Conversations about films are always funny. I would say a majority of people want to talk about what were the more obvious successes; the big box office films. Other people wanting to be more sensitive to you want to talk about the ones that maybe didn't make a lot of money, but they think you might have a special feeling about. And then other people sometimes want to help you by suggesting that you should have done this or that in the movie, that that would have helped you a great deal in whatever capacity.

It always sounds kind of trivial, but when I was a kid I was always so impressed by how serious the comic books were. I always liked how they were half way between literature and the cinema. I liked the visuals and I liked the simplicity of a certain type of moral dilemma.

When you get into making movies, then the physical mundane reality of life must be presented. But in comics you can jack it up and work in shorthand.