Going on the ship felt like 100 years or one day. Timeless. Beautiful vertigo. It will continue to show up in my work.

Going on the ship felt like 100 years or one day. Timeless. Beautiful vertigo. It will continue to show up in my work.

I'm very interested in how colour and shape are perceived.

I have a voracious appetite for images I can translate.

When I start doing a body of work I feel vulnerable, fearful. If I stopped trusting the process, I would stop doing art.

For the surface, I'm not interested in painterly convention. It's more interesting if it looks like it painted itself.

There's an assumption that because I'm an artist, I've got all the time in the world.