I paint bridges because they're in transition; you're coming or going, you're not anywhere - full of possibility.

I paint bridges because they're in transition; you're coming or going, you're not anywhere - full of possibility.

I wish I felt energetic and could paint all the time, because there are so many paintings I'd like to do.

There's an assumption that because I'm an artist, I've got all the time in the world.

Going on the ship felt like 100 years or one day. Timeless. Beautiful vertigo. It will continue to show up in my work.

When I start doing a body of work I feel vulnerable, fearful. If I stopped trusting the process, I would stop doing art.

I have a voracious appetite for images I can translate.