I paint bridges because they're in transition; you're coming or going, you're not anywhere - full of possibility.

The light in the North is constantly a thrill for me.

I'm very interested in how colour and shape are perceived.

For the surface, I'm not interested in painterly convention. It's more interesting if it looks like it painted itself.

It can be frightening to spend 5 weeks alone in a cabin in the wilderness. I was able to collect my thoughts and worked a lot - because I couldn't do anything else.

Going on the ship felt like 100 years or one day. Timeless. Beautiful vertigo. It will continue to show up in my work.

I paint bridges because they're in transition; you're coming or going, you're not anywhere - full of possibility.