I paint bridges because they're in transition; you're coming or going, you're not anywhere - full of possibility.

I paint bridges because they're in transition; you're coming or going, you're not anywhere - full of possibility.

There's an assumption that because I'm an artist, I've got all the time in the world.

I'm very interested in how colour and shape are perceived.

Going on the ship felt like 100 years or one day. Timeless. Beautiful vertigo. It will continue to show up in my work.

For the surface, I'm not interested in painterly convention. It's more interesting if it looks like it painted itself.

When I start doing a body of work I feel vulnerable, fearful. If I stopped trusting the process, I would stop doing art.