When I start doing a body of work I feel vulnerable, fearful. If I stopped trusting the process, I would stop doing art.
As a painter, taking photos is a form of shorthand - note-taking.
I paint bridges because they're in transition; you're coming or going, you're not anywhere - full of possibility.
I'm very interested in how colour and shape are perceived.
I have a voracious appetite for images I can translate.
Going on the ship felt like 100 years or one day. Timeless. Beautiful vertigo. It will continue to show up in my work.