Going on the ship felt like 100 years or one day. Timeless. Beautiful vertigo. It will continue to show up in my work.
For the surface, I'm not interested in painterly convention. It's more interesting if it looks like it painted itself.
I'm very interested in how colour and shape are perceived.
There's an assumption that because I'm an artist, I've got all the time in the world.
As a painter, taking photos is a form of shorthand - note-taking.
I paint bridges because they're in transition; you're coming or going, you're not anywhere - full of possibility.