We wouldn't be artists, writers, painters, musicians, if we weren't sensitive.

I know that is absolutely true for people when they are young - you don't want to be alive if the things that you love in your life aren't there.

Eating good things and being around people who are happy - you want to be influenced by the world because it has so many cool things about it, but it also has a bunch of bad things about it. Being around people who are happy and people who are creative, that's what you do if you're lucky in your life.

You can't really get the full joy out of life unless you really go for it. You just have to go into it and stay under some kind of hope or illusion that it's going to work. But as you get older, or the more experiences you have, or whatever it is that tells you how this stuff works, you also know that if you go all the way into it, there's the risk of losing everything but you don't have a choice.

There is a lot of melody and things that sound familiar in hundreds of songs.

The movie that we could've finished in 2001 would've sucked. The movie that we could've finished in 2002 would've just been a disaster, even into 2003, it would've been very cobbled together, amateuristic stuff. But as we went along, we really did stumble upon some accidental themes, and with the things you could do with computers, and all that sort of stuff just sort of really accelerated into where the stuff that we could do right here at my house became - you could almost do anything.

The things that affect you most deeply - the things that will destroy you if you don't sing about them - are the things that you often end up singing about. It's really just about saying those things that everybody thinks but no one will say and making a connection by uncovering these diamonds that are inside of all of us that no one wants to tell each other about.