I make films because I have not learned anything else and I know I can do it to a certain degree. And it is my duty because this might be the inner chronicle of what we are. We have to articulate ourselves, otherwise we would be cows in the field.

I had complete freedom. They [Netflix] knew roughly what I was doing.

We haven't seen a real volcanic event at least in 74,000 years - [Mount Toba] in Indonesia, in Sumatra, where the crater itself is 100 kilometers across. It was so monumental, what happened, that for a very long time the entire atmosphere of our planet was darkened. It's not the lava and the heat per se; it's the obscuring of the entire atmosphere, and it made it very difficult for the human race to survive.

But the question that everyone wanted answered was whether I would have the nerve and the strength to start the whole process from scratch. I said yes; otherwise I would be someone who had no dream left, and without dreams I would not want to live.

Do you not then hear this horrible scream all around you that people usually call silence.

Otherwise [digital revolution] hasn't changed my way of filmmaking, I'm not nostalgic in postulating we should still make films on celluloid. I love celluloid but I don't need to continue on celluloid.

I don't dabble, I'm good at acting.