Sometimes bad luck hits you like in an ancient Greek tragedy, and it's not your own making. When you have a plane crash, it's not your fault.

I prefer to be alive, so I'm cautious about taking risks.

I prefer the material woman.

You should bear in mind that almost all my documentaries are feature films in disguise.

The paintings are not just on flat walls - you have these enormous niches, bulges and protrusions, as well as stalactites and stalagmites. The effect of the three-dimensionality is phenomenal. It's a real drama which the artists of the time understood, and they used it for the drama of their paintings.

I'm talking a lot on financing in the Masterclass and I know what it means to because I had to finance my first films, all of them, and I earned my money as a welder in a steel factory doing night shifts while I was still in high school during the day.

I discover no kinship, no understanding, no mercy. I see only the overwhelming indifference of nature.