In the face of the obscene, explicit malice of the jungle, which lacks only dinosaurs as punctuation, I feel like a half-finished, poorly expressed sentence in a cheap novel.

When we speak about trespassing, we speak about artistic trespassing. You have to be prudent and have common sense and a sense of responsibility when you're trespassing. I think you haven't seen a film on volcanoes like that before. It's not National Geographic. It is wildly imaginative and very poetic and has a sense of awe that you normally do not see in films.

Never wallow in your troubles; despair must be kept private and brief.

What I do not like, the kind of high-resolution cameras, 4K, 6K, for shooting dialogue, for having faces and close-ups of actors, and you see every single pore in the skin.

Someone like Jean-Luc Godard is for me intellectual counterfeit money when compared to a good kung fu film.

Clive [Oppenheimer] and I figured out that I'm the only one probably in the film industry who is clinically sane. I say that as a joke, but there's a grain of truth to it. I'm not a stupid daredevil who jumps into the crater of the volcano to get the closest close-up, I'm not one of those. And you have to be aware that you have a crew with you and you are responsible.

I looked, for example, to certain types of literature to which I would like to refer, like The Peregrine by J. A. Baker, and I mention a book, "read this, read it, read it if you are serious of being in any type of art or into filmmaking," or films that I should quote as examples.