For me, the distinction between documentaries and feature films is not so clear - my "documentaries" were largely scripted, rehearsed, and repeated, and have a lot of fantasy and concoction in them.

Do you not then hear this horrible scream all around you that people usually call silence.

Never wallow in your troubles; despair must be kept private and brief.

There's happens to be a volcano in the vicinity and there's some talk about a volcano as well, so that's the title Salt and Fire

You are in a place that has not been seen for tens of thousands of years, because it was so sealed off. There is such silence that when you hold your breath you can hear your own heartbeat. Everything is so fresh that you have the sensation that the painters have merely retreated deeper into the dark and that they are looking at you.

I try to be after something that is deeply reverberating inside of our souls, some deep echo from - even from prehistory. What makes us humans? How do we communicate? Where are we going at this moment? Something for an audience where they can step outside of themselves, where they can be almost like in ecstasy of truth, some sort of deep illumination. And that's what I'm trying in documentaries and in feature films.

I think I would be a good villain in a James Bond movie.