I try to be after something that is deeply reverberating inside of our souls, some deep echo from - even from prehistory. What makes us humans? How do we communicate? Where are we going at this moment? Something for an audience where they can step outside of themselves, where they can be almost like in ecstasy of truth, some sort of deep illumination. And that's what I'm trying in documentaries and in feature films.

However, there are a couple of volcanoes very close nearby, like Vesuvius in Italy right next to Naples.

I never planned my career in steps. It's all coming at me like burglars in the night.

There's happens to be a volcano in the vicinity and there's some talk about a volcano as well, so that's the title Salt and Fire

You also can understand how to play tennis from Serena Williams, and she is awesome. I haven't seen her Masterclass but just watching her on the court - I saw some of Wimbledon on TV and there's such an awesome force in her and focus and determination and technique, you just look at her and it's awesome. If I would like to learn tennis I would immediately turn to her.

This climate surrounding me has reached Clive Oppenheimer. In practical terms he sees that I'm not interested in any sort of daredevil stunts, I'm just interested in the work. And he's convinced that I'm clinically sane.

We are surrounded by worn-out, banal, useless and exhausted images, limping and dragging themselves behind the rest of our cultural evolution.