I think you can't do any action without in some way paying homage to John Woo. He's the guy who just invented that sort of next level of poetic nasty action.

You have to listen a lot, and you have to be open and ready to adjust to anything. It kind of provides a framework that you use all the time. You never really shut off that part of your brain when you're doing something. It's invaluable to have.

That's what I think works the best, and what I think makes the best comedy - something that's completely committed and more approached as an acting exercise, as opposed to being worried about whether to be funny or not. The comedy comes from the context.

I put my pants on just like the rest of you - one leg at a time. Except, once my pants are on, I make gold records.

One of my first memories of being a kid was, 'I want to have a real job when I grow up.' And to me that meant you wear a suit and a hat and carry a briefcase and go to your job.

I have the physique a lot of people dream about having. It's my obligation to share it with the world.

Saturday Night Live is such a comedy boot camp in a way, because you get to work with so many different people who come in to host the show and you get thrown into so many situations and learn how to think on your feet, so filmmaking actually feels slow, in a good way.