I think a lot of the instincts you have doing comedy are really the same for doing drama, in that it's essentially about listening. The way I approach comedy, is you have to commit to everything as if it's a dramatic role, meaning you play it straight.

I have only been funny about seventy four per cent of the time. Yes I think that is right. Seventy-four per cent of the time.

Every time I do a partnership with the corporation, it's usually - I mean, it is - reflective of me and they really want who I am. They want what I've established for my brand and the respect and quality that I've established.

When you look at someone like Sacha Baron Cohen, you have to really respect the boundaries he is pushing as Bruno or Borat.

A lot of the times you read something and you don't realize that you are going to have to do the things that you read.

Oftentimes, even as a little kid, I would get up before anyone else. My brother would still be sleeping, my mom would still be sleeping, so I would literally play 'Monopoly' by myself. I would play board games; I would do things by myself.

That's what I think works the best, and what I think makes the best comedy - something that's completely committed and more approached as an acting exercise, as opposed to being worried about whether to be funny or not. The comedy comes from the context.