I really feel like the sky is the limit. I'm a dreamer, and I dream in full vivid color HD.

I'm looking for films that can resonate and hopefully have some level of critical importance but also have commercial viability and can put butts in seats. At the end of the day, that is the name of the game. And if you can find that perfect balance, then that's the sweet spot.

I've never been in the position where that conversation is a serious conversation before the movie even comes out. On one side of it, that's so great because you've got such great potential. The other side of that is that there's a level of pressure. Now, that clearly means that there's an expectation level, from the studio side, potentially from the audience's side, and from our side.

For me, I look at a project that has a story that's going to resonate in some way. It doesn't have to be about a message. It doesn't have to have some underlying theme of overwhelming importance.

You want people to go see it by the hoards. And for there to be talk of the possibility of continuing the journey and the ride, if you will, with these characters that we spent so much time honing, and executing this film on all levels, is super exciting.

I never want someone to come out of one of my films and say, "Damn. I wasted an hour and a half of my life." I'm trying to avoid that.

I think the country needs a good laugh. There are so many things dividing us right now, in the real world, that the timing is right for escapist entertainment that makes you feel better about your own family. If this family can survive, than everyone has got a chance.