For me, I look at a project that has a story that's going to resonate in some way. It doesn't have to be about a message. It doesn't have to have some underlying theme of overwhelming importance.

It's exciting to me that Ride Along is a movie that has two African American leads, but it's even more exciting to me that it's not a movie about two African American leads. They just happen to be African American. It's a universal story. It's a story about a guy in love with a girl, and he's gotta get the approval of the overbearing, mean brother. That's a universal theme.

Obviously, my stuff has been more in the comedy realm, and I really believe that if I'm laughing behind the camera, then I think the film will be funnier.

It's tough to get any movie made, but unless it's a movie about race or culture or ethnicity, it's becoming less and less important who's playing what. You see that on the big screen and the small screen, and I think that's great. That's exciting.

You want people to go see it by the hoards. And for there to be talk of the possibility of continuing the journey and the ride, if you will, with these characters that we spent so much time honing, and executing this film on all levels, is super exciting.

I think that America is more diverse than ever before, and is continuing to become more diverse, and our content should and is reflecting that.

My philosophy is making a movie is difficult enough and I just feel as if you should have a really good time when you do make films whether it's a drama or a comedy.