I need to conduct myself differently in different communities. In my experience, the journalistic conventions - you know, I'm the reporter, you're the subject, the interviewee - actually tend to hold steady much more consistently in rural Africa than they do in the American inner city.

Memoir is a weird genre for a reporter. You end up investigating your own memories, reporting out your past.

Poor-country surf communities can be complex and, to some extent, leveling. The fisherman's kid is competing head to head with the plutocrat's gilded son. Your father can't buy you a good frontside hack.

I need to conduct myself differently in different communities. In my experience, the journalistic conventions - you know, I'm the reporter, you're the subject, the interviewee - actually tend to hold steady much more consistently in rural Africa than they do in the American inner city.

Even wars, big conflicts that have drawn a lot of news coverage, sometimes seem to me to have a center that hasn't been described, that might yet be glimpsed if approached from some odd angle.

It's so much harder than it looks - to conjure a fictional world that some passing wolf of skepticism can't just blow down in one breath.

I'm trying to find out what's actually true, which is nearly always something, if not a world of things, that you can't read in books.