Even wars, big conflicts that have drawn a lot of news coverage, sometimes seem to me to have a center that hasn't been described, that might yet be glimpsed if approached from some odd angle.

It's so much harder than it looks - to conjure a fictional world that some passing wolf of skepticism can't just blow down in one breath.

I need to conduct myself differently in different communities. In my experience, the journalistic conventions - you know, I'm the reporter, you're the subject, the interviewee - actually tend to hold steady much more consistently in rural Africa than they do in the American inner city.

I always wanted to write. While I was on a long surf trip, supporting myself with various day jobs, I was working hard on a novel. My third novel, in fact.

I've felt afraid as a reporter many times. Sometimes it's sharp, as in a bad moment, or a bad situation; other times it's general, as in a country known for kidnapping, where you can never quite relax.

Hawaii is the birthplace of surfing, and many Hawaiians or part-Hawaiians surf, but in the rest of the United States it's a pretty white sport.

Speaking generally, I think it's useful to acknowledge explicitly the power imbalance between a journalist and the protagonists in a story about poor people, even to make that imbalance part of the story - and to redress it, narratively, where you can.