The Orgasmic Death Gimmick is rather complicated. It could be called the whole birth-death cycle of action, persuading people that birth and death are realities.

Writers, like elephants, have long, vicious memories. There are things I wish I could forget.

I feel that the change, the mutation in consciousness, will occur spontaneously once certain pressures now in operation are removed. I feel that the principal instrument of monopoly and control that prevents expansion of consciousness is the word lines controlling thought, feeling and apparent sensory impressions of the human host.

I'm an old-fashioned person, and I don't like informers.

I've seen villages in South America with no police whatever. Then the cops would arrive, then the sanitary inspectors, and before you know it they've got all the problems - crime, juvenile delinquency, the whole works - just like us.

A doctor is not criticized for describing the manifestations and symptoms of an illness, even though the symptoms may be disgusting. I feel that a writer has the right to the same freedom In fact, I think that the time has come for the line between literature and science, a purely arbitrary line, to be erased.

The idea was that we would decide the order when we looked at the proofs. I remember Brion Gysin saying "Well, why change it? It's perfect the way it is, the way it came from the printer." Made one major change, that is, the first chapter that came from the printers, which would be the beginning, we moved to the end. The first chapter became the last chapter. There's no actual cutups in Naked Lunch.