I started to write in about 1950; I was thirty-five at the time; there didn't seem to be any strong motivation. I simply was endeavoring to put down in a more or less straightforward journalistic style something about my experiences with addiction and addicts.

There is no line between the 'real world' and 'world of myth and symbol.' Objects, sensations, hit with the impact of hallucination.

He who has learned to do nothing with his whole mind and body will have everything done for him.

I've seen villages in South America with no police whatever. Then the cops would arrive, then the sanitary inspectors, and before you know it they've got all the problems - crime, juvenile delinquency, the whole works - just like us.

The country with a low birth rate and low death rate will be hardest hit - and so the poor may indeed inherit the earth, because they're healthier.

Nothing exists until or unless it is observed. An artist is making something exist by observing it. And his hope for other people is that they will also make it exist by observing it. I call it 'creative observation.' Creative viewing.

Wouldn't it be great,as Scott Peck suggests, if all medical students had to undergo the symptoms and feeling of a spectrum of illnesses. From acute infections to terminal cancer - and Kuru, the laughing sickness. Just a month for each exposure, controlled of course, and a good heavy dose of excruciating pain. So they'll know what that feels like.