It's harder to build than destroy. To build is to engage and change. In jazz, we call progressing harmonies changes. Changes are like obstacles on a speed course. They demand your attention and require you to be present. They are coming...they are here..... and then they are gone. It's how life comes. Each moment is a procession from the future into the past and the sweet spot is always the present. Live in that sweet spot. Be present.

The blues. It runs through all American music. Somebody bending the note. The other is the two-beat groove. It's in New Orleans music, it's in jazz, it's in country music, it's in gospel.

The people are not coming because of me. They didn't come before me. It's because of a lack of education and understanding, so it makes me more motivated. It's like my mother said about having an artistic child - she learned more from him and he gets more attention and more of the love, not less.

A beat is a moment in the life a groove.

Having heard Clifford Brown play all those fast runs, I used to really practice Clarke trumpet exercises all day long so that I could play fast. That's all I wanted to do. I was like a child with a toy.

Grace Kelly plays with intelligence, wit and feeling. She has a great amount of natural ability and the ability to adapt. That is the hallmark of a first-class jazz musician.

Blues is like the roux in a gumbo. People ask me if jazz always has the blues in it. I say, if it sounds good it does.