There are so many times in life when you have to suppress what you're feeling. A lot of kids have to deal with that in a school environment: You're not allowed to be happy, sad, depressed, over the moon. Being an actor not only do I get to play an angsty teen, but I get the support that I need to be Yara.

When you go on your phone to check what time it is, you get so distracted. It happens to me every day. 'Oh, I just wanted to see what time it is, but now I'm magically on a panda video.' This is the easier way, but it's also a part of your personal style. It ends up becoming a part of who you are, and representing what you love.

Intergenerational support is crucial. I feel like generations give up on each other. If you're Gen Z, you're like, "Gen X is never gonna get it." If you're Gen X, you're like, "Those Millennials are such idiots."

What modeling taught me at a young age was how to say "no," which is something girls - we're not always good at saying "no." We want to be nice, and then we forget to look out for ourselves. There have been moments when I was on a modeling job, and it was the most fantastic thing in the world. And there have been moments where I've realized, "Okay, I'm ten years old, and I've spent the past six hours outside in the rain." It taught me how to be specific about what kinds of projects I wanted to do, and what kind of work I wanted to do.

I try to preface everything with "this isn't new." Because most social movements have happened before and I get that. Nothing I'm doing is new.

So much of my work is as Yara, not as a character. If you're attacking my work as a philanthropist or activist, you're attacking Yara. But because of "Black-ish" and this national audience we have, I get to have a larger or louder voice.

There are two conflicting philosophies that I love: "Everything happens for a reason," as well as "you can change everything that you have control over."